Go
|
Notes
|
Line
|
Text
|
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | E | | | Agrippina, a Tragedy |
| | | | | | |
| | | | | | Dramatis Personae. |
| | | | | | |
| | | | | | Agrippina, the Empress mother. |
| | | | | | Nero, the Emperor. |
| | | | | | Poppaea, believed to be in love with Otho. |
| | | | | | Otho, a young man of quality, in love with Poppaea. |
| | | | | | Seneca, the Emperor's preceptor. |
| | | | | | Anicetus, Captain of the Guards. |
| | | | | | Demetrius, the Cynic, friend to Seneca. |
| | | | | | Aceronia, Confidant to Agrippina. |
| | | | | | |
| | | | | | Scene, the Emperor's villa at Baiae |
| | | | | | |
| | | | | | |
| | | | | | [The Argument] |
| | | | | | |
| | | | | | The drama opens with the indignation of Agrippina, at receiving |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | | her son's orders from Anicetus to remove from Baiae, and to |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | | have her guard taken from her. At this time Otho having |
| | | | | | conveyed Poppaea from the house of her husband Rufus Crispinus, |
| | | | | | brings her to Baiae, where he means to conceal her among the |
| | | | | | croud; or, if his fraud is discovered, to have recourse to the |
| | | | | | Emperor's authority; but, knowing the lawless temper of Nero, he |
| | | | | | determines not to have recourse to that expedient, but on the |
| | | | | | utmost necessity. In the meantime he commits her to the care of |
| | | | | | Anicetus, whom he takes to be his friend, and in whose age he |
| | | | | | thinks he may safely confide. Nero is not yet come to Baiae: |
| | | | | | but Seneca, whom he sends before him, informs Agrippina of the |
| | | | | | accusation concerning Rubellius Plancus, and desires her to |
| | | | | | clear herself, which she does briefly; but demands to see her |
| | | | | | son, who, on his arrival, acquits her of all suspicion, and |
| | | | | | restores her to her honours. In the meanwhile Anicetus, to |
| | | | | | whose care Poppaea had been entrusted by Otho, contrives the |
| | | | | | following plot to ruin Agrippina: He betrays his trust to Otho, |
| | | | | | and brings Nero, as it were by chance, to the sight of the |
| | | | | | beautiful Poppaea; the Emperor is immediately struck with her |
| | | | | | charms, and she, by a feigned resistance, increases his passion; |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | | tho', in reality, she is from the first dazzled with the |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | | prospect of empire, and forgets Otho: She therefore joins with |
| | | | | | Anicetus in his design of ruining Agrippina, soon perceiving |
| | | | | | that it will be for her interest. Otho hearing that the Emperor |
| | | | | | had seen Poppaea, is much enraged; but not knowing that this |
| | | | | | interview was obtained thro' the treachery of Anicetus, is |
| | | | | | readily persuaded by him to see Agrippina in secret, and |
| | | | | | acquaint her with his fears that her son Nero would marry |
| | | | | | Poppaea. Agrippina, to support her own power, and to wean the |
| | | | | | Emperor from the love of Poppaea, gives Otho encouragement, and |
| | | | | | promises to support him. Anicetus secretly introduces Nero to |
| | | | | | hear their discourse; who resolves immediately on his mother's |
| | | | | | death, and, by Anicetus's means, to destroy her by drowning. A |
| | | | | | solemn feast, in honour of their reconciliation, is to be made; |
| | | | | | after which she being to go by sea to Bauli, the ship is so |
| | | | | | contrived as to sink or crush her; she escapes by accident, and |
| | | | | | returns to Baiae. In this interval Otho has an interview with |
| | | | | | Poppaea; and being duped a second time by Anicetus and her, |
| | | | | | determines to fly with her into Greece, by means of a vessel |
| | | | | | which is to be furnished by Anicetus; but he, pretending to |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | | remove Poppaea on board in the night, conveys her to Nero's |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | | apartment: She there encourages and determines Nero to banish |
| | | | | | Otho, and finish the horrid deed he had attempted on his |
| | | | | | mother. Anicetus undertakes to execute his resolves; and, under |
| | | | | | pretence of a plot upon the Emperor's life, is sent with a |
| | | | | | guard to murder Agrippina, who is still at Baiae in imminent |
| | | | | | fear, and irresolute how to conduct herself. The account of her |
| | | | | | death, and the Emperor's horrour and fruitless remorse, |
| | | | | | finishes the drama. |
| | | | | | |
| | | | | | |
| | | | | | ACT I. Scene I. |
| | | | | | |
| | | | | | Agrippina, Aceronia |
| | | | | | |
| | | | | | AGRIPPINA |
| | | | | | |
| | | | | 1 | 'Tis well, begone! your errand is performed. |
| | | | | | [Speaks as to Anicetus entering. |
| | | | | 2 | The message needs no comment. Tell your master, |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 3 | His mother shall obey him. Say you saw her |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 4 | Yielding due reverence to his high command: |
| | | | | 5 | Alone, unguarded and without a lictor |
| | | | | 6 | As fits the daughter of Germanicus. |
| | | | | 7 | Say, she retired to Antium; there to tend |
| | | | | 8 | Her household cares, a woman's best employment. |
| | | | | 9 | What if you add, how she turned pale and trembled: |
| | | | | 10 | You think, you spied a tear stand in her eye, |
| | | | | 11 | And would have dropped, but that her pride restrained it? |
| | | | | 12 | (Go! you can paint it well) 'twill profit you, |
| | | | | 13 | And please the stripling. Yet 'twould dash his joy |
| | | | | 14 | To hear the spirit of Britannicus |
| | | | | 15 | Yet walks on earth: at least there are who know |
| | | | | 16 | Without a spell to raise, and bid it fire |
| | | | | 17 | A thousand haughty hearts, unused to shake |
| | | | | 18 | When a boy frowns, nor to be lured with smiles |
| | | | | 19 | To taste of hollow kindness, or partake |
| | | | | 20 | His hospitable board: they are aware |
| | | | | 21 | Of the unpledged bowl, they love not Aconite. |
| | | | | | |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | | ACERONIA |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | | |
| | | | | 22 | He's gone; and much I hope these walls alone |
| | | | | 23 | And the mute air are privy to your passion. |
| | | | | 24 | Forgive your servant's fears, who sees the danger |
| | | | | 25 | Which fierce resentment cannot fail to raise |
| | | | | 26 | In haughty youth and irritated power. |
| | | | | | |
| | | | | | AGRIPPINA |
| | | | | | |
| | | | | 27 | And dost thou talk to me, to me, of danger, |
| | | | | 28 | Of haughty youth and irritated power, |
| | | | | 29 | To her that gave it being, her that armed |
| | | | | 30 | This painted Jove, and taught his novice hand |
| | | | | 31 | To aim the forked bolt; while he stood trembling, |
| | | | | 32 | Scared at the sound and dazzled with its brightness? |
| | | | | | |
| | | | | 33 | 'Tis like, thou hast forgot, when yet a stranger |
| | | | | 34 | To adoration, to the grateful steam |
| | | E | | 35 | Of flattery's incense and obsequious vows |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 36 | From voluntary realms, a puny boy, |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 37 | Decked with no other lustre than the blood |
| | | E | | 38 | Of Agrippina's race, he lived unknown |
| | | | | 39 | To fame or fortune; haply eyed at distance |
| | | | | 40 | Some edileship, ambitious of the power |
| | | | | 41 | To judge of weights and measures; scarcely dared |
| | | E | | 42 | On expectation's strongest wing to soar |
| | | | | 43 | High as the consulate, that empty shade |
| | | | | 44 | Of long-forgotten liberty: when I |
| | | | | 45 | Oped his young eye to bear the blaze of greatness; |
| | | | | 46 | Showed him where empire towered, and bade him strike |
| | | | | 47 | The noble quarry. Gods! then was the time |
| | | | | 48 | To shrink from danger; fear might then have worn |
| | | | | 49 | The mask of prudence; but a heart like mine, |
| | | | | 50 | A heart that glows with the pure Julian fire, |
| | | | | 51 | If bright ambition from her craggy seat |
| | | | | 52 | Display the radiant prize, will mount undaunted, |
| | | | | 53 | Gain the rough heights, and grasp the dangerous honour. |
| | | | | | |
| | | | | | ACERONIA |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | | |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 54 | Through various life I have pursued your steps, |
| | | | | 55 | Have seen your soul, and wondered at its daring: |
| | | | | 56 | Hence rise my fears. Nor am I yet to learn |
| | | | | 57 | How vast the debt of gratitude which Nero |
| | | | | 58 | To such a mother owes; the world you gave him |
| | | | | 59 | Suffices not to pay the obligation. |
| | | | | | |
| | | | | 60 | I well remember too (for I was present) |
| | | | | 61 | When in a secret and dead hour of night, |
| | | | | 62 | Due sacrifice performed with barbarous rites |
| | | | | 63 | Of muttered charms and solemn invocation, |
| | | | | 64 | You bade the Magi call the dreadful powers |
| | | | | 65 | That read futurity, to know the fate |
| | | | | 66 | Impending o'er your son: their answer was, |
| | | | | 67 | If the son reign, the mother perishes. |
| | | | | 68 | Perish (you cried) the mother! reign the son! |
| | | | | 69 | He reigns, the rest is heaven's; who oft has bade, |
| | | | | 70 | Even when its will seemed wrote in lines of blood, |
| | | | | 71 | The unthought event disclose a whiter meaning. |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 72 | Think too how oft in weak and sickly minds |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 73 | The sweets of kindness lavishly indulged |
| | | | | 74 | Rankle to gall; and benefits too great |
| | | | | 75 | To be repaid, sit heavy on the soul, |
| | | | | 76 | As unrequited wrongs. The willing homage |
| | | | | 77 | Of prostrate Rome, the senate's joint applause, |
| | | | | 78 | The riches of the earth, the train of pleasures |
| | | | | 79 | That wait on youth and arbitrary sway: |
| | | | | 80 | These were your gift, and with them you bestowed |
| | | | | 81 | The very power he has to be ungrateful. |
| | | | | | |
| | | | | | AGRIPPINA |
| | | | | | |
| | | | | 82 | Thus ever grave and undisturbed reflection |
| | | E | | 83 | Pours its cool dictates in the madding ear |
| | | | | 84 | Of rage, and thinks to quench the fire it feels not. |
| | | | | 85 | Sayest thou I must be cautious, must be silent, |
| | | | | 86 | And tremble at the phantom I have raised? |
| | | | | 87 | Carry to him thy timid counsels. He |
| | | | | 88 | Perchance may heed 'em: tell him too, that one |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 89 | Who had such liberal power to give, may still |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 90 | With equal power resume that gift, and raise |
| | | | | 91 | A tempest that shall shake her own creation |
| | | | | 92 | To its original atoms - tell me! say, |
| | | | | 93 | This mighty emperor, this dreaded hero, |
| | | E | | 94 | Has he beheld the glittering front of war? |
| | | | | 95 | Knows his soft ear the trumpet's thrilling voice, |
| | | | | 96 | And outcry of the battle? Have his limbs |
| | | | | 97 | Sweat under iron harness? Is he not |
| | | E | | 98 | The silken son of dalliance, nursed in ease |
| | | | | 99 | And pleasure's flowery lap? Rubellius lives, |
| | | | | 100 | And Sylla has his friends, though schooled by fear |
| | | | | 101 | To bow the supple knee, and court the times |
| | | | | 102 | With shows of fair obeisance; and a call |
| | | | | 103 | Like mine might serve belike to wake pretensions |
| | | | | 104 | Drowsier than theirs, who boast the genuine blood |
| | | | | 105 | Of our imperial house. [Cannot my nod] |
| | | | | 106 | Rouse [up] eight hardy legions, wont to stem |
| | | | | 107 | With stubborn nerves the tide, and face the rigour |
| | | | | 108 | Of bleak Germania's snows[?] Four, not less brave, |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 109 | That in Armenia quell the Parthian force |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 110 | Under the warlike Corbulo, by [me] |
| | | | | 111 | Marked for their leader: these, by ties confirmed |
| | | E | | 112 | Of old respect and gratitude, are [mine]. |
| | | | | 113 | Surely the Masians too, and those of Egypt, |
| | | | | 114 | Have not forgot [my] sire: the eye of Rome |
| | | | | 115 | And the Praetorian camp have long revered, |
| | | | | 116 | With customed awe, the daughter, sister, wife, |
| | | | | 117 | And mother of their Caesars. Ha! by Juno, |
| | | | | 118 | It bears a noble semblance. On this base |
| | | | | 119 | My great revenge shall rise; or say we sound |
| | | | | 120 | The trump of liberty; there will not want, |
| | | | | 121 | Even in the servile senate, ears to own |
| | | E | | 122 | Her spirit-stirring voice; Soranus there, |
| | | | | 123 | And Cassius; Veto too, and Thrasea, |
| | | | | 124 | Minds of the antique cast, rough, stubborn souls, |
| | | | | 125 | That struggle with the yoke. How shall the spark |
| | | | | 126 | Unquenchable, that glows within their breasts, |
| | | | | 127 | Blaze into freedom, when the idle herd |
| | | | | 128 | (Slaves from the womb, created but to stare |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 129 | And bellow in the Circus) yet will start, |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 130 | And shake 'em at the name of liberty, |
| | | | | 131 | Stung by a senseless word, a vain tradition, |
| | | | | 132 | As there were magic in it? Wrinkled beldams |
| | | | | 133 | Teach it their grandchildren, as somewhat rare |
| | | | | 134 | That anciently appeared, but when, extends |
| | | | | 135 | Beyond their chronicle - oh! 'tis a cause |
| | | | | 136 | To arm the hand of childhood, and rebrace |
| | | | | 137 | The slackened sinews of time-wearied age. |
| | | | | | |
| | | | | 138 | Yes, we may meet, ungrateful boy, we may! |
| | | | | 139 | Again the buried Genius of old Rome |
| | | | | 140 | Shall from the dust uprear his reverend head, |
| | | | | 141 | Roused by the shout of millions: there before |
| | | | | 142 | His high tribunal thou and I appear. |
| | | | | 143 | Let majesty sit on thy awful brow |
| | | | | 144 | And lighten from thy eye: around thee call |
| | | E | | 145 | The gilded swarm that wantons in the sunshine |
| | | | | 146 | Of thy full favour; Seneca be there |
| | | E | | 147 | In gorgeous phrase of laboured eloquence |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 148 | To dress thy plea, and Burrhus strengthen it |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 149 | With his plain soldier's oath and honest seeming. |
| | | | | 150 | Against thee, liberty and Agrippina: |
| | | | | 151 | The world, the prize; and fair befall the victors. |
| | | | | | |
| | | E | | 152 | But soft! why do I waste the fruitless hours |
| | | | | 153 | In threats unexecuted? Haste thee, fly |
| | | | | 154 | These hated walls that seem to mock my shame, |
| | | | | 155 | And cast me forth in duty to their lord. |
| | | | | | |
| | | | | 156 | My thought aches at him; not the basilisk |
| | | | | 157 | More deadly to the sight than is to me |
| | | | | 158 | The cool injurious eye of frozen kindness. |
| | | | | 159 | I will not meet its poison. Let him feel |
| | | | | 160 | Before he sees me. Yes, I will be gone, |
| | | | | 161 | But not to Antium - all shall be confessed, |
| | | | | 162 | Whate'er the frivolous tongue of giddy fame |
| | | | | 163 | Has spread among the crowd; things that but whispered |
| | | E | | 164 | Have arched the hearer's brow and riveted |
| | | | | 165 | His eyes in fearful ecstasy: no matter |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 166 | What, so it be strange, and dreadful[,]- sorceries, |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | 167 | Assassinations, poisonings; the deeper |
| | | | | 168 | My guilt, the blacker his ingratitude. |
| | | | | | |
| | | | | 169 | And you, ye manes of ambition's victims, |
| | | | | 170 | Enshrined Claudius, with the pitied ghosts |
| | | | | 171 | Of the Syllani, doomed to early death |
| | | | | 172 | (Ye unavailing horrors, fruitless crimes!), |
| | | | | 173 | If from the realms of night my voice ye hear, |
| | | | | 174 | In lieu of penitence and vain remorse, |
| | | | | 175 | Accept my vengeance. Though by me ye bled, |
| | | | | 176 | He was the cause. My love, my fears for him, |
| | | | | 177 | Dried the soft springs of pity in my heart, |
| | | | | 178 | And froze them up with deadly cruelty. |
| | | | | 179 | Yet if your injured shades demand my fate, |
| | | | | 180 | If murder cries for murder, blood for blood, |
| | | | | 181 | Let me not fall alone; but crush his pride, |
| | | | | 182 | And sink the traitor in his mother's ruin. Exeunt. |
| | | | | | |
| | | | | | |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | | Scene II. |
![[down]](http://www.thomasgray.org.uk/images/bottom.gif) | | | | | |
| | | | | | Otho, Poppaea |
| | | | | | |
| | | | | | OTHO |
| | | | | | |
| | | | | 183 | Thus far we're safe. Thanks to the rosy queen |
| | | | | 184 | Of amorous thefts: and had her wanton son |
| | | | | 185 | Lent us his wings, we could not have beguiled |
| | | E | | 186 | With more elusive speed the dazzled sight |
| | | | | 187 | Of wakeful jealousy. Be gay securely; |
| | | | | 188 | Dispel, my fair, with smiles, the timorous cloud |
| | | | | 189 | That hangs on thy clear brow. So Helen looked, |
| | | | | 190 | So her white neck reclined, so was she borne |
| | | | | 191 | By the young Trojan to his gilded bark |
| | | | | 192 | With fond reluctance, yielding modesty, |
| | | | | 193 | And oft reverted eye, as if she knew not |
![[up]](http://www.thomasgray.org.uk/images/top.gif) | | | | 194 | Whether she feared or wished to be pursued. |